The Emergence of Impressionism
📌 Impressionism, emerging in Paris in the mid-to-late 19th century, is the most important precursor to understanding modern art.
🏛️ The movement arose in opposition to the French Academy of Fine Arts, which was dogmatic about acceptable subjects (myth, biblical stories, history paintings) and techniques.
🎨 Advances in science and industrialization led artists like Courbet and Manet to shift toward modern subjects, creating a divide with the conservative Academy.
📉 By the 1860s, the Academy overwhelmingly rejected non-traditional works submitted to the annual Salon, culminating in Napoleon III decreeing the Salon des Refusés in 1863.

Impressionist Techniques and Subject Matter
🏞️ Impressionists, inspired by the Salon des Refusés artists, focused on landscape painting and meticulously studying the effects of natural light.
🌳 Painting outdoors became practical due to the invention of paint tubes, allowing for brighter, more vibrant colors than studio work.
🏙️ The reshaping of Paris (wide boulevards) and urbanization provided new modern subjects, exemplified by Renoir’s *Dance at the Moulin de la Galette*, which captured the leisure class in motion.
📸 The rise of photography eliminated the need for labor-intensive portraiture and history paintings, pushing painting toward subjective observation of light and atmosphere over objective reality.

The Movement's Reception and Commercialization
🧑‍🎨 In 1873, the Impressionists held their first independent show under the name the "Cooperative Company of Artists..." (shortened to the "Anonymous Society"), which was eviscerated by critics as ugly and unfinished.
💡 Claude Monet’s *Impression, Sunrise* inadvertently gave the movement its name after critic Louis Leroy mocked it, despite the painting not strictly adhering to later Impressionist blending techniques.
🎨 Camille Pissarro utilized bright primary colors and avoided blacks/ochres, following color theories from chemist Michel Eugène Chevreul regarding complementary contrasts to increase luminosity.
😟 Edgar Degas focused on capturing modern urban ennui and angst, as seen in *L'Absinthe*, where the claustrophobic composition and weary figures reflect complex city life vices.

The Role of Dealers and Economic Impact
🤝 The financial failure of early shows spurred the artists to continue independently, attracting dealers like Paul Durand-Ruel, who financially stabilized many artists by buying their works.
🖼️ Durand-Ruel popularized the solo exhibit, a practice now commonplace, and drove up Impressionist prices by supporting artists without Academy approval.
💰 Impressionist works were smaller, quicker to produce, and more accessible to the newly wealthy consumers than the traditional, gigantic Academic canvases.
🇺🇸 The movement found massive commercial success in the US, where a forward-looking audience embraced it, leading to the creation of American Impressionism (e.g., Mary Cassatt).

Key Points & Insights
➡️ Impressionism signaled a fundamental shift where art production became increasingly tied to market forces and economics, not just cultural or religious institutions.
➡️ The movement’s success was driven by its suitability for commercialization, offering accessible, bright subjects appreciated by the rising middle class.
➡️ The story of Renoir's *Dance at the Moulin de la Galette* selling for $78 million illustrates how art transformed into a commodity owned by wealthy investors, often disappearing from public view.
➡️ Understanding Impressionism requires acknowledging its role in breaking the Academy's hold while simultaneously shackling art to the market forces that defined much of the 20th century.

📸 Video summarized with SummaryTube.com on Nov 24, 2025, 04:10 UTC